Friday, March 29, 2013
CLOSE
Enjoyed this interview on Fresh Air with Chuck Close where he talks about grids, among other things. One thing I remember, Close says that he is basically a sloppy, disorganized, maybe lazy human being, and so, by employing the grid in his giant methodical paintings, he could go against his own nature and forge something elegant and new. (I'm paraphrasing big time, but you get the idea.)
WHAT BASQUIAT'S WORDS DO
Thinking about what words do in art, I come back to Jean-Michel Basquiat. I'm drawn to how his words are texture, and also emotion, I feel no need to read or decipher them to understand them.
Top: Bird on Money
Bottom: The Daros Suite of Thirty-Two Drawnings,
(acrylic, charcoal, crayon, pastel, pencil)
Monday, March 25, 2013
RELUCTANT MANIFESTO
My images are personal reflections drawn impulsively, like a nervous tick or doodling in the margin. I make this work mostly for myself.
Subjects include figures, objects, and text which speak to personal quandaries and emotional soft spots. The process is additive and generally focused on drawing, bookmaking, and water-based media. Observation, abstraction, layering, obscuring, and re-finding line are important aspects.
At the moment I'm interested in drawing antiquated man-made objects and sequencing them through time, as a way to think about narrative and in particular, nostalgia: the feeling of rediscovering an intense long-lost earlier feeling. Layering, flip books, gifs, circular animation, and series are all possible expressions of this idea.
*old photo of us, by Aaron Farrington, I think*
DRIPS
Experimenting with drips, edges borders. In the second image,
I randomly made a white work area that became the field of the tape. Neither image is complete.
FEATHERS TWO WAYS
Feathers two ways, in progress. Thinking about relative size, on picture plane.
WHAT WILL/CAN TEXT DO IN THESE IMAGES:
- size of text,
- color of text (light on dark, dark on light)
- on object only, behind object, woven
- scrapped in, drawn atop
- etc.
THINK BIG(GER)
Starting my big(ger) paintings: 11 X 14.
Arches cold press 140lb with blue and red (and gold) acrylic grounds. What next?
Tuesday, March 19, 2013
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